June
1972 |
The
Vorarlberg Mozart Community was established by Gerd Nachbauer with the aim
of instituting an annual concert cycle in Hohenems centering upon the
works of Mozart. The envisaged venues were the "Rittersaal"
(Knights' Hall), at that time impossible to heat, in Hohenems Palace, the
palace courtyard, which was undergoing restoration, and the parish church
of St. Charles. Financial considerations forced the start of the first
concert series to be put back to autumn 1973. Originally the first planned
concert for autumn 1972 was a Lieder recital with Peter Schreier (Schubert's
song cycle "Die schöne Müllerin").
|
September
19, 1973 |
The
first concert of the Mozart Community with vocal works by Mozart in the
"Rittersaal" (Knights' Hall). Hermann Prey was among the many
artists invited to appear in future concert cycles.
|
June 1974 |
In
the planning stage of a Lieder recital scheduled for June 1975 Hermann
Prey's secretary Christian Lange writes to Gerd Nachbauer saying the
concert could be a test for a bigger project that is closely linked with
the names Prey and Schubert.
|
July 1974 |
Christian
Lange comes to Hohenems to photograph the suggested venues and work out
with Gerd Nachbauer a programme proposal for the first Schubertiade in May
1976. Hermann Prey accepts Hohenems Palace as venue for the event on the
basis of the photographs and also accepts the proposed concert programme.
1976 and 1977 were conceived as introductory years with popular Schubert
programmes. Starting in 1978, Schubert's entire oeuvre was to be performed
in chronological order in accordance with Prey's wishes.
|
Summer 1974 |
Subsidies
are promised by the federal government, the region and the municipality.
|
Autumn
1974 |
Hermann
Prey sings Schubert's "Winterreise" in Bregenz. The day before
he visits Hohenems Palace for the first time and his future participation
in the Schubertiade project is publicly announced at a press conference.
|
January
1975 |
Establishment
of the "Schubertiade Hohenems Ges.m.b.H." Managing directors:
Christian Lange and Gerd Nachbauer
|
March 1975 |
The
prospect of the Schubertiade Hohenems 1976 (May 8 - 15) appears.
|
Spring
1976 |
The
"Rittersaal" (Knights' Hall) in Hohenems Palace is renovated and
heating is installed.
|
May
8, 1976 |
The
first Schubertiade begins with a Lieder recital by Hermann Prey and
Leonard Hokanson.
|
January 1977 |
Christian
Lange retires as managing director of the Schubertiade.
|
Spring
1977 |
Mobile
roofing is erected over the courtyard in Hohenems Palace. Hermann Prey
cancels all engagements several months ahead; his appearance at the
Schubertiade is for a long time also in doubt.
|
June
19,
1977 |
The
"Wiener Philharmoniker" conducted by Karl Böhm open the second
Schubertiade.
|
Summer 1977 |
At
the close of the 1977 Schubertiade it becomes clear there is no hope of
beginning the chronological concert series in 1978 for financial reasons.
Among other things, the anticipated minor increases in the subsidies are
not enough to finance considerably more expensive mixed programmes (several
singers, pianists and chamber ensembles in one concert) in a small hall.
|
June 1980 |
Hermann
Prey announces at the end of his Lieder recital that closes the
Schubertiade that he is retiring as artistic director.
|
1982 |
Hans
Hotter, who had retired from the concert platform a few years earlier,
sings the "Winterreise" instead of Peter Schreier.
|
1983 |
Dietrich
Fischer-Dieskau and Nikolaus Harnoncourt make their first appearance at
the Schubertiade.
|
1984 |
For
the first time works by composers other than Schubert are also included in
the programme, the motto being "Schubert's Models". Nikolaus
Harnoncourt conducts Beethoven for the first time.
|
1985 |
Dietrich
Fischer-Dieskau gives four Lieder recitals in Montforthaus in Feldkirch.
The house is henceforth incorporated more often in the Schubertiade
programme.
|
1989 |
After
comprehensive renovation the Feldkirch conservatory hall becomes available
as an additional venue.
|
1991 |
Owing
to the likelihood of restrictions and obstructions occasioned by a
regional exhibition taking place in Hohenems Palace, the entire
Schubertiade is held in Feldkirch. This state of affairs continues
unchanged in the following years since no agreement securing the use of
Hohenems can be arrived at.
|
1992 |
The
"Waldbühne" (forest stage) is built in a clearing in the woods
next to the conservatory.
|
1993 |
Restoration
of the conservatory church is completed.
|
1994 |
The
first "Landpartien" (outings) to Schloß Achberg (Achberg Castle),
the provost's lodge at St. Gerold and to Schwarzenberg take place.
|
Spring
1995 |
Various
improvements make the Angelika Kauffmann Hall in Schwarzenberg one of the
most outstanding chamber music halls.
|
1996 |
Building
of the "Kleiner Dorfsaal" in Schwarzenberg.
|
1997 |
On
the occasion of the exhibition "Schubert 200" concerts also
taking place at the Stadttheater Lindau.
|
2000 |
The
Schubertiade is celebrating its 25th anniversary in grand style with more
than 80 events. For the frist time, the festival host the Landpartie
jointly with the Hotel Post in Bezau.
|
2001 |
The
Schubertiade will consist of only two concert series held in
Schwarzenberg. Once the extention of the Angelika Kauffmann Hall has been
completed in June, the Schubertiade will possess, for the first time in
its quarter-century-long history, a venue that is tailormade to suit all
of its requirements - i.e. in terms of acoustics, comfort, design,
equipment and location.
|
| 2002 |
Opening of the Franz Schubert
Museum on May the 8th
|
| 2004 |
With 50.400 visitors
and 99 events the most successful Schubertiade since the foundation of the
festival. |
October 2005 |
Opening
of the Markus-Sittikus-Hall in Hohenems
After a break of 15 years, the Schubertiade is to hold concerts in
Hohenems again, where the festival was originally based. The Hohenems
concerts will supplement the usual programme in Schwarzenberg
|
2007 |
The
renovation of the facade of the Markus-Sittikus-Hall and the reformation
of the forecourt is finished. The new park besinde and behind the hall is
suited for a walk during the break.
According of the 200. day of death of Angelika Kauffmann, the Vorarlberger
Landesmuseum in Bregenz and the new Angelika-Kauffmann-Museum in
Schwarzenberg appreciated her life and her work with a big
anniverserv-exhibition.
|