* performed in the course of the Schubertiade once or several times
(a) partly performed in the course of the Schubertiade
– no performance in the course of the Schubertiade so far

 

Masses

– Mass No. 1 in F for soloists (SSATTB), choir and orchestra. 1814 (D 105)
* Mass No. 2 in G for soloists (STB), choir and orchestra. 1815 (D 167)
* Mass No. 3 in B-flat for soloists (SATB), choir and orchestra. 1815 (D 324)
* Mass No. 4 in C for soloists (SATB), choir and orchestra. 1816 (D 452)
* Mass No. 5 in A-flat for soloists (SATB), choir and orchestra. 1819 – 1822 (D 678)
* Mass No. 6 in E-flat for soloists (SATTB), choir and orchestra. 1828 (D 950)

– Kyrie in D minor for soloists (ST), choir and orchestra. 1812 (D 31)
* Kyrie in B-flat for choir. 1813 (D 45)
– Kyrie in D minor for soloists (SATB), choir and orchestra. 1813 (D 49)
* Kyrie in F for choir and orchestra. 1813 (D 66)
* Deutsche Messe with annex »Das Gebet des Herrn« (Neumann). 1827 (D 872)
* Deutsches Requiem in G minor (Schmid) for soloists (SATB), choir and organ. 1818 (D 621)

Other sacred music works

– Salve Regina in F for soprano and orchestra. 1812 (D 27)
* Salve Regina in B-flat for tenor and orchestra. 1814 (D 106)
* Offertorium in C for soprano (tenor) and orchestra. 1815 (?) (D 136)
– Stabat mater in G minor for choir and orchestra. 1815 (D 175)
– Offertorium in A minor for choir and orchestra. 1815 (D 181)
– Graduale in C for choir and orchestra. 1815 (D 184)
* Salve Regina (Offertorium) in F for soprano and orchestra. 1815 (D223)
* Magnificat in C for soloists (SATB), choir and orchestra. 1815 (D 486)
* Deutsches Salve Regina in F for choir and organ. 1816 (D 379)
* Salve Regina in B-flat for choir. 1816 (D 386)
– Tantum ergo in C for soprano, choir and orchestra. 1816 (D 460)
– Tantum ergo in C for soloists (SATB), choir and orchestra. 1816 (D 461)
* Auguste jam coelestium, duet (ST) with orchestra. 1816 (D 488)
* Evangelium Johannis 6, verse 55–58, for voice and B.c. 1818 (D 607)
* Salve Regina (Offertorium) in A for soprano and strings. 1819 (D 676)
* Sechs Antiphonen zum Palmsonntag for choir. 1820 (D 696)
* Tantum ergo in B-flat for soloists (SATB), choir and orchestra. 1821 (D 730)
– Tantum ergo in C for choir and orchestra. 1814 (D 739)
* Tantum ergo in D for choir and orchestra. 1822 (D 750)
* Salve Regina in C, quartet (TTBB). 1824 (D 811)
* Hymnus an den Heiligen Geist (Schmidl). 1828 (D 948)
* Glaube, Hoffnung und Liebe (Reil), quartet (TTBB), choir (SATB) and winds. 1828 (D 954)
* Tantum ergo in E-flat for soloists (SATB), choir and orchestra. 1828 (D 962)
* Intende voci (Offertorium), aria for tenor, choir and orchestra. 1828 (D 963)

Oratorios

* Stabat mater (Klopstock). Oratorio for soloists (STB), choir and orchestra. 1816 (D 383)
* Lazarus (Niemeyer). Scenic oratorio in three Acts for soloists (SSSTTB), choir and orchestra
  (Fragment: Act I complete, Act II incomplete). 1820 (D 689)

»Onder de indruk van de idyllische entourage, de hoogstaande concertzaal, het vriendelijke onthaal, het lovenswaardige artistieke beleid en de hoge muzikale kwaliteit kan ik enkel zeggen: gaat dat zien!«

Place de l’Opera, Netherlands