Sacred music by Franz Schubert

* performed in the course of the Schubertiade once or several times
(a) partly performed in the course of the Schubertiade
– no performance in the course of the Schubertiade so far

 

Masses

– Mass No. 1 in F for soloists (SSATTB), choir and orchestra. 1814 (D 105)
* Mass No. 2 in G for soloists (STB), choir and orchestra. 1815 (D 167)
* Mass No. 3 in B-flat for soloists (SATB), choir and orchestra. 1815 (D 324)
* Mass No. 4 in C for soloists (SATB), choir and orchestra. 1816 (D 452)
* Mass No. 5 in A-flat for soloists (SATB), choir and orchestra. 1819 – 1822 (D 678)
* Mass No. 6 in E-flat for soloists (SATTB), choir and orchestra. 1828 (D 950)

– Kyrie in D minor for soloists (ST), choir and orchestra. 1812 (D 31)
* Kyrie in B-flat for choir. 1813 (D 45)
– Kyrie in D minor for soloists (SATB), choir and orchestra. 1813 (D 49)
* Kyrie in F for choir and orchestra. 1813 (D 66)
* Deutsche Messe with annex »Das Gebet des Herrn« (Neumann). 1827 (D 872)
* Deutsches Requiem in G minor (Schmid) for soloists (SATB), choir and organ. 1818 (D 621)

Other sacred music works

– Salve Regina in F for soprano and orchestra. 1812 (D 27)
* Salve Regina in B-flat for tenor and orchestra. 1814 (D 106)
* Offertorium in C for soprano (tenor) and orchestra. 1815 (?) (D 136)
– Stabat mater in G minor for choir and orchestra. 1815 (D 175)
– Offertorium in A minor for choir and orchestra. 1815 (D 181)
– Graduale in C for choir and orchestra. 1815 (D 184)
* Salve Regina (Offertorium) in F for soprano and orchestra. 1815 (D223)
* Magnificat in C for soloists (SATB), choir and orchestra. 1815 (D 486)
* Deutsches Salve Regina in F for choir and organ. 1816 (D 379)
* Salve Regina in B-flat for choir. 1816 (D 386)
– Tantum ergo in C for soprano, choir and orchestra. 1816 (D 460)
– Tantum ergo in C for soloists (SATB), choir and orchestra. 1816 (D 461)
* Auguste jam coelestium, duet (ST) with orchestra. 1816 (D 488)
* Evangelium Johannis 6, verse 55–58, for voice and B.c. 1818 (D 607)
* Salve Regina (Offertorium) in A for soprano and strings. 1819 (D 676)
* Sechs Antiphonen zum Palmsonntag for choir. 1820 (D 696)
* Tantum ergo in B-flat for soloists (SATB), choir and orchestra. 1821 (D 730)
– Tantum ergo in C for choir and orchestra. 1814 (D 739)
* Tantum ergo in D for choir and orchestra. 1822 (D 750)
* Salve Regina in C, quartet (TTBB). 1824 (D 811)
* Hymnus an den Heiligen Geist (Schmidl). 1828 (D 948)
* Glaube, Hoffnung und Liebe (Reil), quartet (TTBB), choir (SATB) and winds. 1828 (D 954)
* Tantum ergo in E-flat for soloists (SATB), choir and orchestra. 1828 (D 962)
* Intende voci (Offertorium), aria for tenor, choir and orchestra. 1828 (D 963)

Oratorios

* Stabat mater (Klopstock). Oratorio for soloists (STB), choir and orchestra. 1816 (D 383)
* Lazarus (Niemeyer). Scenic oratorio in three Acts for soloists (SSSTTB), choir and orchestra
  (Fragment: Act I complete, Act II incomplete). 1820 (D 689)

»This is a place of miracles.«

The Dallas Morning News, USA